Sakamichi no Apollon (final)
July 2, 2012
Sakamichi no Apollon (Apollo of the Slope, AKA Kids on the Hill) did a good job of weaving in musical performances at critical junctures. This was a show about people finding out about themselves and each other by coming together to play music (particularly Jazz music). Although musical performances were not included in every episode, they were used very effectively to punctuate the dramatic twists in the tale. Even the absence of musical performances felt significant when it happened — typically this was caused by a wrong turn that the characters took that kept them from coming together. Although the various characters had good chemistry, it was in the musical performances that this show hit its emotional highs, so events that prevented a live session were given greater dramatic impact. This was an interesting way of giving the audience a good sense of what the characters were feeling — even if it was frustration, with brief moments of jazz-feuled exhilaration.
The events takes place in the 1960s, and that was worked into the story in unexpected ways. Society is changing, and even if that isn’t the main focus of the story, it is still having an impact on the various characters, or the people around them.
Sakamichi no Apollon did a good job at demonstrating that happiness doesn’t come easily, even when you seem to have everything you could have asked for. Characters make mistakes, but they aren’t the stupid, “we need this to happen for the plot to work” kind of mistakes. They are just human mistakes. People don’t fit together with ease; they step on each other’s toes and need to find ways to work things out, or the fail to, and things fall apart.
I enjoyed watching this series. The music was great. The artwork was appealing. You can read more about the setup in my first impression post, but I don’t want to say more about what happens, as it is a short series, and I encourage you to experience it for yourself.